Let’s Pick up the Pace and Go to Hell in a Fast Car: Kander & Ebb’s Chicago Serves Up Some ‘Razzle Dazzle’

Imagine this: a steamy jazz club.  A saxophone whining and groaning into the smoky air.  Dancers in their racy costumes, warming up.  All of a sudden, the song segues into a rag-tag big band number, and under a single spotlight stands headliner Velma Kelly in a rendition of a familiar song.  Well, stop dreaming, becauseContinue reading “Let’s Pick up the Pace and Go to Hell in a Fast Car: Kander & Ebb’s Chicago Serves Up Some ‘Razzle Dazzle’”

In Our Bedroom After the War: Sarah Kane’s ‘Blasted’ Explores War at Home

Reed Birney and Marin Ireland, as Ian and Cate, in “Blasted.” Photo © Simon Kane (Playbill)  Soho Repertory Theater‘s production of Sarah Kane‘s chilling play, Blasted — helmed under artistic director Sarah Benson — is a daring, bold take on the venerated British playwright’s inaugural play.  While still very much a work in progress, Benson’s direction and LouisaContinue reading “In Our Bedroom After the War: Sarah Kane’s ‘Blasted’ Explores War at Home”

Welcome to The Real: From Amsterdam to Berlin, The Public Theatre’s ‘Passing Strange’ Breaks Stereotypes and Crosses Boundaries

So, like three weeks later, here’s my review. Oh. My. God. I know — not very articulate of me in what is supposed to be a review, but suffice it to say that these are the only words that could describe my immediate reaction upon leaving the Belasco Theatre late Saturday night (5/31/08). Before IContinue reading “Welcome to The Real: From Amsterdam to Berlin, The Public Theatre’s ‘Passing Strange’ Breaks Stereotypes and Crosses Boundaries”