As I wrote earlier this year: “The role of third-wave feminism certainly took its hold in the cinema of the 2010s. Women in the 21st century are allowed, more than ever, to be imperfectly perfect creatures: kind and compassionate, cold and calculating, badass…or just plain bad.” Nowhere has this been more evident than in filmContinue reading “Girls Aloud: What I Watched, September-October 2020”