Best of the Decade: David Fincher’s ‘The Social Network’ (2010)

“Creation myths need a devil.” At the risk of subsequently praising nearly every film released that year (and sounding like a cheap imitation of a sommelier), it must be said that, yes, 2010 was a very good year for film.  Kicking off the decade in a major way was none other than David Fincher’s TheContinue reading “Best of the Decade: David Fincher’s ‘The Social Network’ (2010)”

The Pulchritude of Fosse, Revisited: A Look at Those Famous Jazz Hands—Step-by-Step, Inch-by-Inch, Frame-by-Intoxicating-Frame

According to Merriam-Webster’s online dictionary, the word pulchritude (one of my personal favorites) is defined simply as ‘physical comeliness’ — and if there is anything that fits that description, it’s director-choreographer-auteur Bob Fosse and his distinctive choreography.  Known now for its emphasis on rounded shoulders and isolated movements, Fosse’s choreography was inspired by what heContinue reading “The Pulchritude of Fosse, Revisited: A Look at Those Famous Jazz Hands—Step-by-Step, Inch-by-Inch, Frame-by-Intoxicating-Frame”

Twee and Twang: Stuart Murdoch’s ‘God Help the Girl’ is a Delightful Burst of Quirk

Some of you already know how much I love my movie-musicals — and recently, I’ve become very much obsessed with one in particular that I’ve been meaning to see for a while now: God Help the Girl (2014).  The brainchild of Belle & Sebastian musician Stuart Murdoch, the film also happens to be the offshootContinue reading “Twee and Twang: Stuart Murdoch’s ‘God Help the Girl’ is a Delightful Burst of Quirk”